(With Reflections from the Popes)
In the heart of Rome, atop the sacred Esquiline Hill, stands a basilica unlike any other: Santa Maria Maggiore, the “Greater Saint Mary.” Yet for those of faith, it is not merely an architectural marvel of marble, mosaics, and gold. It is a testimony, carved in stone and preserved through centuries, to the miraculous intervention of Heaven — a house not simply built for Mary, but designed at her bidding, under the very hand of God.
The Snowfall in August: Heaven’s Mark
The miracle that gave rise to Santa Maria Maggiore is as wondrous now as it was in the 4th century. During the pontificate of Pope Liberius (352–366 A.D.), a wealthy Roman couple, John and his wife, prayed for guidance to dedicate their fortune in a way pleasing to Heaven. In response, the Blessed Virgin Mary appeared to both John and Pope Liberius in dreams, promising to show the location where she wished a church to be built. The sign would be impossible to miss: snow — in the height of the Roman summer.
On the morning of August 5th, the miracle unfolded: the Esquiline Hill lay blanketed with snow, sparkling under the relentless sun. Pope Liberius, moved by awe, traced the outline of the basilica into the snow with his staff, and construction began immediately. The early faithful referred to it as the Basilica Liberiana, but truly, it was Mary’s House in Rome.
This “Miracle of the Snow” is not a quaint legend for believers; it is a living memory of the Virgin Mary’s maternal tenderness. Even today, on each August 5th, a solemn Mass recalls the miracle as white rose petals descend from the coffered ceiling — a heavenly snow in the Eternal City.
As Pope Benedict XVI proclaimed:
“The Basilica of Saint Mary Major has always been a place where the people of Rome feel especially close to the Mother of God. Here we find Mary’s maternal presence made visible in stone, mosaic, and relic.”
Bethlehem in Rome: The Relics of the Nativity
The basilica soon became not only a Marian sanctuary but a vessel of sacred relics. Among the most precious treasures is the Sacra Culla, fragments of the Holy Crib from Bethlehem, enshrined in a crystal and silver reliquary beneath the high altar.
Pilgrims kneel there, before the mystery of the Incarnation itself — a crib that once cradled the infinite Word made flesh. For the faithful, these are not mere artifacts but portals of grace, reminding each soul that Christ entered the world humbly, and still draws near to us today.
Pope Pius IX, profoundly devoted to Santa Maria Maggiore, said:
“Here, amid these sacred walls, the mysteries of Bethlehem are renewed; the Child God, embraced by His Mother, still speaks to hearts willing to listen.”
The Icon That Saved Rome: Salus Populi Romani
The basilica is also home to the miraculous icon of the Blessed Virgin known as Salus Populi Romani (“Salvation of the Roman People”). According to sacred tradition, this icon was painted by St. Luke the Evangelist and brought to Rome where it became a rallying point for divine protection.
In times of plague, war, and disaster, the people of Rome processed with the icon through the streets, beseeching the Virgin’s aid. Miracles followed. The cessation of a deadly plague in the 6th century is attributed to this icon’s intercession after Pope St. Gregory the Great led a penitential procession with it through Rome.
In our own times, Pope Francis — deeply devoted to Salus Populi Romani — visited the icon on the eve of his pontificate to entrust himself to Mary. Throughout his papacy, he has emphasized the supernatural closeness Mary offers through this sacred image:
“In the icon of Salus Populi Romani, Mary is not simply depicted; she is present: she listens, she comforts, she protects, she saves.” (Pope Francis, 2013)
Theological Triumph: Proclaiming Mary as Theotokos
In 431 A.D., the Council of Ephesus solemnly declared that Mary is Theotokos — Mother of God. This was no mere academic debate; it safeguarded the truth that Jesus Christ is both fully divine and fully human from the moment of conception.
To celebrate this victory for the faith, Pope Sixtus III (432–440 A.D.) greatly expanded Santa Maria Maggiore, enriching it with breathtaking mosaics that still glitter with celestial beauty. These mosaics, depicting scenes from Christ’s childhood and Old Testament prefigurations, declare that Mary, by her fiat, became the living ark of the covenant — the bridge between Heaven and Earth.
Saint John Paul II, who often prayed at Santa Maria Maggiore, beautifully captured the connection between Mary and her basilica:
“In this venerable church, Mary is enthroned not merely in memory, but in power — as the Mother of God and the Mother of the Church.”
A Living Stream of Grace: Miracles Through the Centuries
Santa Maria Maggiore has witnessed uncountable miracles. Physical healings, spiritual conversions, victories over evil — these are woven into its history like threads of gold. Great saints have knelt here: St. Jerome, who translated the Scriptures; St. Ignatius of Loyola, who offered his first Mass at its altar; St. Francis of Assisi; St. Bernadette of Lourdes; and countless others.
Popes have turned to this basilica in moments of crisis and thanksgiving. In 1954, Pope Pius XII declared a Marian Year and crowned Salus Populi Romani anew, affirming Mary’s role as Queen and Protectress of humanity.
To step inside Santa Maria Maggiore today is to enter not a museum but a living sanctuary where Heaven still touches Earth. The air itself seems thick with centuries of prayer. In the glittering mosaics, in the ancient relics, and in the gentle smile of Salus Populi Romani, Mary still whispers to her children: “Come to me, and do not be afraid.”
A House of Heaven on Earth
Santa Maria Maggiore is not merely one church among many. It is a singular work of divine love, a throne-room of the Queen of Heaven in the city of Peter and Paul. It began with a miracle — a snowfall where none could fall — and it continues with a miracle: the unseen but very real maternal presence of Mary, who never abandons her children.
As Pope Francis movingly said in 2020, before the icon of Salus Populi Romani during a prayer for deliverance from the pandemic:
“Under your protection, O Holy Mother of God, the people of Rome, and the people of the world, take refuge.”
Santa Maria Maggiore remains a house not built by human ambition, but by heavenly favor — a place where miracles began, and where they have never ceased.